In The Wild RSS

BBI In The Wild showcases stories from production sound mixers, location sound recordists, boom operators, cameramen and more using Bubblebee Industries sound tools 'in the wild'. Join in by tagging your photos with #BBIinthewild.



Chris Welcker: Production Sound, Mentors, Teams and Espresso Machines

We first met Production Sound Mixer Chris Welcker at a sandwich shop in New Orleans having lunch with Justin and Lukas from SoundHard. A New Orleans local all his life, Chris started out in music and media and quickly found his niche in production sound. Since 2007 he has worked his way up through an impressive list of films including 12 Years a Slave, Jurassic World, Keanu, Jack Reacher: Never Go Back, Queen & Slim,

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Michaela Girouard: Booming New Orleans

Michaela Girouard is a versatile and highly-experienced freelance boom operator/utility sound technician, currently based in New Orleans, Louisiana. She’s worked on a range of productions including Preacher, Darlin’, Take Your Pills, Synchronic and Hot Date, all of which have brought unique sets of audio challenges to the table. We find out more about her and what it's like to work in the New Orleans film industry.

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Henau Marais: Sound in Remote Locations, Travelling Heavy and Staying Focused

Sound recordist Henau Marais has over 18 years of professional audio experience working on commercials, reality TV shows, feature films, documentaries, news and much more. He’s helped capture some incredible sound on broadcasts/productions for the likes of Disney, the BBC, Discovery, RedBull, Microsoft, Warner and HBO. We took some time out from Bubblebee HQ to have a chat with Henau in Cape Town, South Africa.

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Listen to a Blackbird Song at Dawn

Listen to a recording of a blackbird in song at dawn by Field Recordist Benjamin Gale (spacewalkaudio.co.uk). It was recorded from Ben's balcony in the London borough of Camden early one morning in June. He used a Sennheiser MKH8060 which was fitted with The Spacer Bubble mesh base to protect from wind, while keeping the natural frequency response of the mic. 

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